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'Tis the season, so the saying goes. And when it comes to Aki Kaurism?ki, it holds true. The Finnish writer-director arrives bearing a gift wrapped in a contemporary immigration fable.
If the bummers and ambiguity of some of this season's movies are getting you down - or, hey, just the bummers and ambiguities of life - make your way to Le Havre. You won't be sorry.
The Finnish director's sense of humor is dry and dark as pitch, as he consistently finds moments of absurdity in the midst of strife and tragedy.
Kaurism?ki wrote the script, I think, with secret credit from Mother Goose and some fabric softener.
"Le Havre" is a small bit of movie magic, a story that plays more as a fable even as it deals with something as topical as immigration.
The film is especially comforting if you love old movies, as Kaurismaki does.
The latest work by Finnish cult director Aki Kaurismaki is is his strongst in a decade--and one of 2011 best foreign pictures.
The movie never wears out its welcome with an efficient 93-minute running time. Besides the four principal characters, the supporting cast makes an impression playing a grocer, a baker, a tavern owner and Marcel's best buddy from Vietnam. It also...
While the film never reaches any hugely profound revelations with its parable-styled stories of compassion and community, and occasionally feels a little slight, it's also enormously enjoyable and gorgeous to watch.
It's a puzzle, and an intriguing one.
In two stories of evolving trust and secrets, Le Havre reflects the essential simplicity of the moral choices made in its simple-seeming camera set-ups.
Kaurismaki's movie about a shoeshine man and an illegal immigrant is nothing less than a joy
A wonderfully concise, unfussy movie; it is "easy" by the director's standards, which is to say that it doesn't leave any significant ellipses in the narrative up until the aggressively darling ending.
...an upbeat little tome that leaves a good feeling to the spirit.
Kaurism?ki can almost restore your hope in humanity.
Kaurismaki dives into French film culture in 'Le Havre'
You almost become a citizen of Le Havre, watching this film and rejoicing at the end as two newfound, unexpected friends share a drink.
It's a straightforward yet completely artificial scenario, with welcome overtones of Italian Neo-Realism.
Unlike the director's typical hero, Wilms's spare performance conveys confidence rather than defeat. He and the kid warm the heart, thawing Kaurism?ki's usual icy aplomb.
Heart-wrenching but ultimately inspirational.
Le Havre is not the filmmaker's best work (see La Vie de Boh?me for that), but no matter the storm, we should be grateful to dock in this port.
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Source: http://www.rottentomatoes.com/m/le_havre_2011/
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